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1Ecuador: Three Years After the Factory TragedyEkoatora: Telo Taona Taorian'ny Lozabe “Factory” Tsy misy Factory intsony.
2April 19, 2011 marked the third anniversary of the well-known Factory Case: the fire at the Factory discotheque in Ecuadorian capital Quito in 2008, during a Gothic-rock concert.Sary: Juan Arellano Ny 19 Aprily 2011 no nanamarika ny faha-3 taonan'ilay Tantara malazan'ny Factory: ny firehetana tao amin'ny Factory, toeram-pandihizana iray tao Quito tamin'ny 2008, tamin'izay no nisy fampisehoana Gothic-rock.
3There were 19 deaths as a result of the fire and 24 wounded.19 no maty vokatr'ilay firehetana ary 24 no naratra mafy.
4Among the deceased were all the members of the rock band Zelestial, and even now some of the survivors suffer repercussions from the tragedy.Anisan'ireo maty ny mpikambana manontolo tao amin'ny tarika mpiangaly gadona rock Zelestial, ary mandrak'androany dia mbola miaina miaraka amin'ny takaitra nentin'io loza io ny ankabezan'ireo sisam-paty.
5Although there was a trial and sentence in the case, the family and friends of the victims continue to meet to plead for justice, and above all, the non-exclusion of rockers of diverse genres, permitting them to come together and perform in any part of the city and not only in secluded places with dubious security. Banner reads: "Factory no more".Na nisy aza ny fitsaràna sy ny fanamelohana tamin'io zava-nitranga io, ny fianakaviana sy sakaizan'ireo tra-doza kosa dia mitohy mifandray hatrany mitaky ny marina, sady ambonin'ny zavatra rehetra, ny tsy fanilikilihana ny mpanao rock rehetra avy amin'ny karazany samihafa, mamela azy ireny ho tonga miaraka ary manao fampisehoana na tanàna aiza na aiza fa tsy hoe fotsiny any amin'ireo faritra mihataka tsy azo antoka loatra ara-pandriampahalemana.
6Image by Juan Arellano. At the time various Ecuadorian bloggers were concerned about the subject, like Sick boy on Wild child's Journal, who denounced [es] the sensationalism and the prejudice of society towards those who like Gothic rock:Tamin'izany fotoana dia niasa saina momba ilay zava-nitranga ireo Ekoatoriana mpitoraka bilaogy, toa an-dry Sick boy tamin'ny Wild child's Journal (Gazetin'ny Ankizy kinaoly), izay nanakiana mafy [es] ny ‘sensationalisme' sy ny fitsaràna an-tendrony ataon'ny fiarahamonina an'ireo mpankafy ny Gothic rock:
7The context of “a public show that ends in tragedy” has trickled down to “a sect seeking death”, or “confused youths who love Satan”, even up to “pyromaniac terrorists”, blah blah blah…[…] A simple musical preference turns into a prejudice of some who think us demented, and who without “professional help” will probably end up killing one another and doing harm to others… and so the rocker is portrayed as an anti-social capable of committing atrocities gains momentum…Ny tranganà “fampisehoana ho an'ny daholobe miafara aminà loza mahatsiravina” dia nampifandraisina tamin'ny hoe “sekta mitady aina halatsaka ho sorona”, na “tanora manompo an'i Satana”, tonga hatramin'ny hoe “mpampihorohoro faly mahita zavatra mirehitra”, blah blah blah…[…] Ny fitiavana mozika tsotra izao no mivadika ho fitsaratsaram-poana ho an'ny sasany mihevitra anay ho adala hondrakondrafana, sy rehefa tsy mahazo ny “fanampian'ireo matihanina” dia mety hifamono na hanao ratsy ny hafa… ary dia avy amin'izany no iheverana ny mpiangaly rock ho fahavalon'ny fiarahamonina mahavita manao zava-doza sy tena ao anatin'ny heriny…
8Alexis Cuzme of De Ciudad Hecatombe (From Hecatombe City) touches on [es] the same theme, and moreover, signals the difficulties faced by those who organise these type of shows:Alexis Cuzme of De Ciudad Hecatombe (avy any Hecatombe City) dia mikitika koa [es] ilay lohahevitra, ary ambonin'izany, dia milaza ny fahasarotana atrehan'ireo izay mikarakara fampisehoana toy ireny:
9Many rock concert organisers prefer to move underground, in more or less air-conditioned rooms that hold a hundred to two hundred and fifty spectators, instead of getting legal permits because it's a system where bureaucracy rears it's head, and over all because they always find unending and absurd “buts” to avoid having a rock concert (prejudice at its best).Maro ireo mpikarakara fampisehoana rock no misafidy ny hisitrika, anatin'ny trano zara raha misy rivotra voavaotra izay mahazaka mpanotrona eo amin'ny 100-250 eo, toy izay haka fahazoan-dàlana ara-dalàna noho io rafitra io ahitàna fomba fitantànana manapa-doha, sy ankoatra izany dia hitan-dry zareo ho tsy mitondra mankaiza mandrakariva no sady “efitra an'ila” ilaina sorohana ny fanaovana fampisehoana rock (fahavoazana ho an'ny hatsaràny).
10Last April 19, there was a great homage at the Plaza Grande of Quito and an effort to sensitise people about this issue by the family and friends of the victims:Ny 19 Aprily lasa teo, dia nisy fanomezam-boninahitra lehibe tao amin'ny Plaza Grande of Quito ary ezaka ho fanentanana ny olona mikasika ity olana ity izay nataon'ny fianakaviana sy naman'ireo tra-doza:
11One of the activists saw it fit to comment on this:Iray tamin'ireo mafàna fo no nahita fa ilaina ny mitondra fanehoan-kevitra momba azy io:
12As part of the activities of the three painful successive years, a rock concert festival was held, Factory nunca más 2011 [es] (Factory no more), and a discussion panel.Ho toy ny ampahany amin'ireo hetsika tao anatin'ireo telo taona misesy nangirifiriana, nisy fampisehana rock lehibe natao, Factory nunca más 2011 [es] (Tsy misy Factory intsony), ary resaka an-databatra boribory.
13As well as homage on blogs and videos.Ankoatra ireo fanomezam-boninahitra any anaty bilaogy sy lahatsary any.
14This case [es], like the one involving the República Cromañón club in Buenos Aires, Argentina, the one with the Utopía [es] club in Lima, Perú, and many more, are an evidence of the informality and irresponsibility of the kind that unravels many spectacles and entertainment venues for youths in Latin America, regardless of the social class they belong to.Ity tranga ity [es], tahaka ny iray izay mahatafiditra ny klioba República Cromañón ao Buenos Aires, Arzantina, ny iray misy ny klioba Utopía [es] ao Lima, Pero, sy ny maro hafa, dia porofon'ny tsy maha-manara-penitra sy ny maha-tsy tompon'andraikitra ny goragora amin'ny karazana fampisehoana sy fialamboly maro ho an'ny tanora any Amerika Latina, tsy anavahana ny sarangam-piarahamonina misy azy ireny.