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1 | Venezuela: Filmmakers Explore Urban Realities | Venezoelà: Mpanatontosa Sarimihetsika Mandalina An-dahatsary ny Zavamisy An-Tanàndehibe |
2 | Caracas, in all its fascinating chaos, is an inspiration for several filmmakers. | Fakàn'ny mpanatontosa sarimihetsika maro aingam-panahy i Caracas, ao anatin'ny korontana mahavalalanina. |
3 | Through their work, these filmmakers underline the aesthetics of urban life in elements that for most people often mean confusion and disorder. | Amin'ny alalan'ny asany ireo mpanatontosa sarimihetsika ireo no manipika ny hatsaran'ny fiainana an-drenivohitra amin'ny antsipiriany izay korontana sy fifangaroana no iheveran'ny olona maro azy. |
4 | Thus, three artists share their work using web 2.0 tools and give netizens inside and outside Venezuela a different perspective of Caracas. | Avy amin'izany ny mpanankato telo no mizara ny asany amin'ny fampiasana ny fitaovana 2.0 ahafahan'ny mpiserasera anaty sy ivelan'i Venezoelà fomba fijery isan-karazany an'i Caracas. |
5 | Inspired by Jorgen Leth's short film “The Perfect Human”, “La ciudad perfecta” (The Perfect City) shows different parts and angles of Caracas. | Avy tamin'ny aingam-panahin'ny filma fohy nataon'i Jorgen Leth “The Perfect Human” (Ny Olombelona Lavorary), mampiseho ny zoro sy sombi-toeran'i Caracas ny “La ciudad perfecta” (Ny Tanàna Lavorary). |
6 | The film, created by Sven Methling, Ricardo Bombín, Claudio Cenedese, Ángel Antúnez, Alfredo Castillo and José Ignacio Benitez, was awarded in this year's Biennial of Cadiz. | Nahazo ny loka fanome isaky ny roa taonan'i Cadiz ity filma noforonin'i Sven Methling, Ricardo Bombín, Claudio Cenedese, Ángel Antúnez, Alfredo Castillo ary José Ignacio Benitez ity. |
7 | Another short film, “Transgresiones” (Transgressions), shows how people's paths in the city make an ever-changing landscape. | Sarimihetsika fohy hafa ny “Transgresiones” (Fihoara-Pefy) ahitana ny zotra andehanan'ny olona ao an-tanàna izay manova hatrany hatrany ny endriky ny toerana. |
8 | The film includes brief scenes from the daily life of families occupying abandoned private buildings, and underlines how these images become a part of the city's aesthetics. | Ahitana sehatra miserana ny fiainana andavanandron'ny olona monina amin'ny fanorenana lehibe manan-tompo efa haolo, ary tsipihiny amin'ny alalan'ny sary fa efa lasa manome endrika (tsara) ny tanàna ireny sary ireny. |
9 | Focusing on this same social phenomenon, Cylixe shares her work about David's tower, an abandoned building where an important number of people have constructed their homes. | Mifantoka amin'izany trangam-piarahamonina izany ihany no izaran'i Cylixe ny asany miompana amin'ny Tilikambon'i Davida, fanorenana (building) haolo ahitana olona maro manorina ny tranony. |
10 | The story of this building has long been debated and reported. | Niadian-kevitra sy notaterina hatry ny ela ny tantaran'io fanorenana io. |
11 | Cylixe describes the Tower as a “City Within a City”: | I Cylixe moa milazalaza ny Tilikambo ho “Tanàna ao anaty tanàna”: |
12 | […] When over 20 years ago the construction was interrupted for a skyscraper ion [Sic] Caracas, Venezuela, no one could have guessed, that this building would once become the tallest squat on earth. | […] Efa 20 taona mahery izay raha naato ny fanorenana ity trano manaka-danitra ao [Sic] Caracas, Venezoelà, ity, tsy nisy nieritreritra fa io building io no squat (trano tsizarizary) avo indrindra manerantany. |
13 | An empiric, fractal view in to [Sic] the everyday life, the structure and the thoughts of the habitants [Sic] keeps in dialogue with the architecture of the tower, which once had been conceived as a financial center and now gives shelter to a parallel society. | Fijery niainana mahafanina ao anatin'ny [sic] fiainana andavanandro, rafitra sy fisainan'ny mponina [sic] izay mifampitafa mandrakariva amin'ny maritranon'ny tilikambo, izay naorina ho foibe ara-barotra tamin'ny voalohany saingy lasa mampiatrano fiaraha-monina mirazotra (mifanindran-dalana) amiin'izao fotoana izao. |