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1Venezuela: Filmmakers Explore Urban RealitiesVenezoelà: Mpanatontosa Sarimihetsika Mandalina An-dahatsary ny Zavamisy An-Tanàndehibe
2Caracas, in all its fascinating chaos, is an inspiration for several filmmakers.Fakàn'ny mpanatontosa sarimihetsika maro aingam-panahy i Caracas, ao anatin'ny korontana mahavalalanina.
3Through their work, these filmmakers underline the aesthetics of urban life in elements that for most people often mean confusion and disorder.Amin'ny alalan'ny asany ireo mpanatontosa sarimihetsika ireo no manipika ny hatsaran'ny fiainana an-drenivohitra amin'ny antsipiriany izay korontana sy fifangaroana no iheveran'ny olona maro azy.
4Thus, three artists share their work using web 2.0 tools and give netizens inside and outside Venezuela a different perspective of Caracas.Avy amin'izany ny mpanankato telo no mizara ny asany amin'ny fampiasana ny fitaovana 2.0 ahafahan'ny mpiserasera anaty sy ivelan'i Venezoelà fomba fijery isan-karazany an'i Caracas.
5Inspired by Jorgen Leth's short film “The Perfect Human”, “La ciudad perfecta” (The Perfect City) shows different parts and angles of Caracas.Avy tamin'ny aingam-panahin'ny filma fohy nataon'i Jorgen Leth “The Perfect Human” (Ny Olombelona Lavorary), mampiseho ny zoro sy sombi-toeran'i Caracas ny “La ciudad perfecta” (Ny Tanàna Lavorary).
6The film, created by Sven Methling, Ricardo Bombín, Claudio Cenedese, Ángel Antúnez, Alfredo Castillo and José Ignacio Benitez, was awarded in this year's Biennial of Cadiz.Nahazo ny loka fanome isaky ny roa taonan'i Cadiz ity filma noforonin'i Sven Methling, Ricardo Bombín, Claudio Cenedese, Ángel Antúnez, Alfredo Castillo ary José Ignacio Benitez ity.
7Another short film, “Transgresiones” (Transgressions), shows how people's paths in the city make an ever-changing landscape.Sarimihetsika fohy hafa ny “Transgresiones” (Fihoara-Pefy) ahitana ny zotra andehanan'ny olona ao an-tanàna izay manova hatrany hatrany ny endriky ny toerana.
8The film includes brief scenes from the daily life of families occupying abandoned private buildings, and underlines how these images become a part of the city's aesthetics.Ahitana sehatra miserana ny fiainana andavanandron'ny olona monina amin'ny fanorenana lehibe manan-tompo efa haolo, ary tsipihiny amin'ny alalan'ny sary fa efa lasa manome endrika (tsara) ny tanàna ireny sary ireny.
9Focusing on this same social phenomenon, Cylixe shares her work about David's tower, an abandoned building where an important number of people have constructed their homes.Mifantoka amin'izany trangam-piarahamonina izany ihany no izaran'i Cylixe ny asany miompana amin'ny Tilikambon'i Davida, fanorenana (building) haolo ahitana olona maro manorina ny tranony.
10The story of this building has long been debated and reported.Niadian-kevitra sy notaterina hatry ny ela ny tantaran'io fanorenana io.
11Cylixe describes the Tower as a “City Within a City”:I Cylixe moa milazalaza ny Tilikambo ho “Tanàna ao anaty tanàna”:
12[…] When over 20 years ago the construction was interrupted for a skyscraper ion [Sic] Caracas, Venezuela, no one could have guessed, that this building would once become the tallest squat on earth.[…] Efa 20 taona mahery izay raha naato ny fanorenana ity trano manaka-danitra ao [Sic] Caracas, Venezoelà, ity, tsy nisy nieritreritra fa io building io no squat (trano tsizarizary) avo indrindra manerantany.
13An empiric, fractal view in to [Sic] the everyday life, the structure and the thoughts of the habitants [Sic] keeps in dialogue with the architecture of the tower, which once had been conceived as a financial center and now gives shelter to a parallel society.Fijery niainana mahafanina ao anatin'ny [sic] fiainana andavanandro, rafitra sy fisainan'ny mponina [sic] izay mifampitafa mandrakariva amin'ny maritranon'ny tilikambo, izay naorina ho foibe ara-barotra tamin'ny voalohany saingy lasa mampiatrano fiaraha-monina mirazotra (mifanindran-dalana) amiin'izao fotoana izao.