# | eng | mlg |
---|
1 | Light Weapons: Moving Pictures From Syria | Fitaovam-piadiana Maivana: Sary Mampihetsi-Po Avy Ao Syria |
2 | Over 500,000 videos have been uploaded to the Internet from Syria during the past two years. | Lahatsary avy ao Syria maherin'ny 500.000 no navoaka tamin'ny aterineto nandritra izay roa taona izay. |
3 | Many document the course of protest and conflict, while others promote the views and perspectives of combatants, protesters, peace movements, and ordinary citizens who are witness to events. | Maro tamin'izany ny lahatsary nandritra ny fihetsiketsehana sy ny ady, ny hafa kosa mampisongadina ny fijery sy ny fahitan'ireo mpiady, mpanao fihetsiketsehana, fihetsiketsehana milamina, sy ireo olom-pirenena nahita maso ny hetsika na ireo zava-nitranga. |
4 | Despite this profusion of eyewitness perspective, the Syrian conflict has been poorly covered by media outlets worldwide. | Na dia eo aza ny hamaroan'ny fijery avy amin'ireo nanatri-maso, zara raha mivoaka amin'ny fampahalalam-baovao manerantany ny ady ao Syria. |
5 | In part, this is because narrative descriptions of the war do not easily fit into a framework of good and evil, right and wrong. | Anisan'ny anton'izany ny famariparitana ara-tantara ny ady izay tsy mifanaraka tsara amin'ny tena izy (tsara na ratsy, marina na diso). |
6 | It is also because many videos that emerge are created with an absence of context, editing, or explanation. | Ary satria maro ihany koa ireo lahatsary mirongatra no noforonina tsy misy votoaty, momba ny famoahana ary fanazavazavana. |
7 | While many of the uploaded videos are created by individuals, collectives and organizations have been active in curating, vetting, subtitling and promoting the content. | Na dia maro amin'ireo lahatsary navoaka aza no avy amin'ireo olo-tsotra, dia mandray anjara mavitrika amin'ny fanadiovana, fanitsiana, fametrahana dika an-tsoratra, ary fampiroboroboana ny votoaty ireo vondrona sy fikambanana samihafa. |
8 | Several groups function as virtual news agencies, both investigating and guaranteeing the sourcing of content, and syndicating the videos to mass media outlets and through social media sites such as Facebook, Twitter, and especially YouTube, as well as livestream sites such as Bambuser and UStream. | Maro amin'ireo vondrona no miasa toy ny fampahalalam-baovao antserasera, manao fanadihadiana sy miantoka ny fanomezana votoaty, ary manangona ireo lahatsary ho an'ireo karazana fampahalalam-baovao sy amin'ny media sosialy toy ny Facebook, Twitter, ary indrindra ny YouTube, ary ny habaka mpandefa vaovao na zava-misy mivantana toy ny Bambuser sy ny UStream. |
9 | Emergent Syrian organizations distributing citizen video include the ANA New Media Channel and Shaam News Network. | Anisan'ny fikambanana Syriana mpandefa lahatsary avy amin'ny olo-tsotra ny ANA New Media Channel sy ny Shaam News Network. |
10 | Syria Deeply tracks and organizes coverage of Syria, and also produces original analysis. | Manaraka akaiky sy miandraikitra ny famoaham-baovao avy ao Syria i Syria Deeply, ary manao fanadihadiana lalina ihany koa. |
11 | Syria Untold documents the under-reported peace movement, which has continued despite the escalating war. | Manadihady ireo hetsika milamina tsy mba mivoaka amin'ny fampahalalam-baovao kosa i Syria Untold, izay mbola nanohy izany hatrany na dia eo aza ny fihanaky ny ady. |
12 | Global Voices has ongoing special coverage of Syrian citizen media. | Mamoaka fitantarana manokana mitohy avy amin'ny fampahalalam-baovao an'olo-tsotra Syriana kosa ny Global Voices. |
13 | The New York Times produces an ongoing compilation of material called Watching Syria's War. | Mamokatra tsy ankiato amin'ny fanangonana fitaovana antsoina hoe Watching Syria's War (mijery ny ady ao Syria) kosa ny gazety New York Times. |
14 | Following are two compilations of recent citizen video from Syria, produced in an effort to isolate and highlight several aspects of this flood of imagery. | Indreto ny tambatamba-dahatsary roa avy amin'ny fitantaran'olo-totra ao Syria, noezahana hosarahana sy hasongadina hampisehoana ireo endri-javatra maro amin'ireo raisina sary an-tsaina maro dia maro. |
15 | These videos are on display at the Corcoran Gallery of Art, running concurrently with the exhibition War/Photography: Images of Armed Conflict and Its Aftermath, organized by the Museum of Fine Arts in Houston and in Washington through September 29, 2013. | Aranty ao amin'ny Corcoran Gallery of Art ireo lahatsary ireo, mifanindry sy mifaninana amin'ny fampiratiana War/Photography: Photographs of Armed Conflict and Its Aftermath (Ady/Saripika: Sarin'ireo ady mitam-piadiana sy ny voka-dratsiny) ihany koa, izay karakarain'ny Mozean'ny Zava-kanto ao Houston sy ao Washington hatramin'ny 29 Septambra 2013. |
16 | They were produced in collaboration with Global Voices and Witness. | Novoarina tamin'ny fiaraha-miasa amin'ny Global Voices sy ny Witness izy ireo. |
17 | The first video, Light Weapons, reveals details of life during wartime: the uneven flight of a helicopter, a car creeping through the stillness of night, the swaying of a crowd, and people hurrying through the street. | Mampiseho ny antsipirihan'ny zava-misy mandritra ny fotoan'ny ady ny lahatsary voalohany, Light Weapons (Fitaovam-piadiana maivana): fisidinana angidim-by tsy ara-dalàna, fiara miady ao anatin'ny alina mangina, ary ny olona mandeha haingana eny an-dalana. |
18 | These scenes not only show the protests, police sweeps, shelling, and daily terror that have come to define daily existence for so many in Syria, they also reveal the incidental, the atmospheric: the sensations of war as well as the facts. | Tsy ny fihetsiketsehana, famoretan'ny polisy, daroka baomba, sy ny horohoro isan'andro izay mamaritra ny fisian'ireo olona ao Syria isan'andro ihany no asehon'ny lahatsary, fa mampisongadina ny tranga, ny rivotra iainana: ny fahatsapana fisian'ady sy ny zava-marina mitranga ihany koa. |
19 | The second video, The Law of the Powerful Over the Weak, excerpts testimonials and interviews. | Mamoaka ireo fijoroana vavolombelona sy ny tafatafa kosa ny lahatsary faharoa mitondra loha lohateny hoe The Law of the Powerful Over the Weak (ny Lalàn'ny Matanjaka Manoloana ny Malemy). |
20 | These clips represent the many ways that individuals seek to understand their experiences. | Mampiseho ireo fomba maro ataon'ny olona hahazoany ny fandehan'ny zavatra iainany ny rakitsary. |
21 | Here we find narration, retelling, interpretation, interrogation. | Hitantsika ao ny fitantarana, ny famerenam-pitantarana, ny fomba fahazoan-kevitra ary ny fanotaniana maro. |
22 | A child recounts the destruction of his neighborhood; a nervous, laughing man describes how a sniper terrifies a community; a man mourns the death of his brother, a photographer. | Ohatra amin'izany: Ankizy iray mitantara ny fahasimban'ny tànanany; lehilahy mitsiky somary sorena mamariparitra ny fomba fampihorohoroan'ny basy ny fiarahamoniny; lehilahy iray mitomany ny fahafatesan'ny rahalahiny mpakasary. |
23 | These accounts allow us to approach the war through the perspective of individual stories rather than the abstract language of geopolitics and national interest. | Ahafahantsika mahafantatra tsara ny ady amin'ny alalan'ny fitantaran'ny tsirairay ireo fa tsy avy amin'ny fiteny manidin'ny mpandinika politika ara-jeografia na tombotsoam-pirenena. |
24 | They remind us that this war is foremost a vast tragedy for hundreds of thousands of individuals and families, and that the few stories represented here are emblematic of countless others. | Mampahatsiahy antsika izy ireo fa loza goavana indrindra ho an'ireo olona sy fianakaviana an'hetsiny izany ady izany, santionany amin'ireo hafa marobe ireo tantara vitsy ampahafantarina eto. |